Film review: I told you so by Ginevra Elkann
Mar 20 2024- Cultur-Italy Ezine
- Last Updated on 27 March 2024
- Monica Costa
I told you so (in Italian “Te l’avevo detto”) offers a compelling exploration of dysfunctional family dynamics and societal judgements, supported by strong performances and a thought-provoking narrative. However, its failure to fully explore its thematic elements prevents it from reaching its full potential.
Catch I told you so at the Cinema Made in Italy 2024 festival this week at Cine Lumiere in South Kensington.
Film review: The Beautiful Summer by Laura Luchetti
Mar 20 2024- Cultur-Italy Ezine
- Last Updated on 28 March 2024
- Monica Costa
Prepare to be transported to a mesmerising world of vintage charm and timeless elegance with The Beautiful Summer. Set against the backdrop of Turin in 1938, this Italian cinematic masterpiece captures the essence of a bygone era with breathtaking cinematography and heartfelt storytelling. Italian film-makers have a knack for recreating the drama and romance of early 20th-century life, and The Beautiful Summer is no exception. From the meticulously crafted vintage clothing to the poetic ambience that infuses every frame, it’s clear that capturing the spirit of the past is truly an Italian ‘thing.’ Whether you’re a connoisseur of sophisticated storytelling or simply appreciate timeless elegance, The Beautiful Summer is a must-see.
Catch a screening at the Cinema Made in Italy 2024 festival at Cine Lumiere this week and immerse yourself in its captivating beauty and profound storytelling.
Film review: There’s Still Tomorrow by Paola Cortellesi
Mar 18 2024- Cultur-Italy Ezine
- Last Updated on 28 March 2024
- Monica Costa
“There’s Still Tomorrow” is a 2023 Italian comedy-drama film, directed by Paola Cortellesi in her directorial debut. Set in 1940s Italy, it follows Delia as she breaks traditional family patterns and aspires to a different future after receiving a mysterious letter that pushes her to reverse gender roles.
I found myself deeply moved by the story, which portrays the harsh female condition in post-war Rome, Italy. I admired the director’s use of contemporary music (versus period tunes) in significant scenes, integrating it into the narrative rather than using it merely as a soundtrack (such as the ‘dance fight’ between the couple). The daughter, husband, father, and neighbourhood were all portrayed in a very realistic manner, offering a slice of life.
“There’s Still Tomorrow” will be shown at Cinema Made in Italy at Cine Lumiere in South Kensington this week.
